Choreolab 2005
Bu Julia Sadler
Choreolab 2005 was held from the 26th Jan - 10th Feb at
Tarrant Dance Studios in Wellington, the home of Footnote
Dance Company. This year dancers from Australia, New Zealand
and the United States leapt at the opportunity to attend
Choreolab with guest choreographer Jeremy Nelson.
Jeremy was born in New Zealand, though has been living
in the United States and working throughout Europe for the
last 20 years. He is currently a member of the teaching
faculty at the Movement Research Centre in New York and
last year he was a recipient of the prestigious Guggenheim
Fellowship award. In 2004 Jeremy ran workshops at the Impulstanz
festival held in Vienna. These workshops were attended by
many enthusiastic NZ dancers who ensured Jeremy's reputation
as an inspirational teacher and master choreographer preceded
his arrival in New Zealand.
Jeremy's Choreolab classes and workshops were appropriately
titled 'working from the inside out'. These classes were
based in Klein Technique and incorporated a focus on anatomical
alignment, internal/structural imagery and efficiency. His
classes were playful, challenging, refreshing and intelligent.
Jeremy's inquisitive, fearless and enthusiastic approach
to movement was infectious.
This year I was invited back to Choreolab as lab choreographer
after previously attending Choreolab for the last three
years as a dancer. There were also many workshop participants
who took the opportunity to explore their own choreographic
work. Jo Randerson, Fenn Gordon and Nic McGowan ran workshops
in writing, production and sound.
I was fortunate to have 20 dancers to work with and I enjoyed
the enthusiasm and energy of this large group. These dancers
came from various training backgrounds and it was a pleasure
to work with both students and graduates. This year the
recent Unitec graduates were well represented and many Choreolab
participants will be attending Unitec to continue their
training.
I came to Choreolab with a previously devised movement
vocabulary, though I was interested in seeing this material
on a large number of dancers. Therefore I was able to play
with formations, partnering and structure. The challenges
in these workshops were in finding ways to include all the
dancers while still exploring my choreographic direction,
maintaining a constructive environment and allowing time
to fully develop and define new points of interest.
However all the dancers inspired new directions for this
work and Jeremy's choreographic workshops also influenced
my process. My initial focus on group movements and unison
began to shift to individual motivation, solo movement and
relationship dynamics. Halfway through this process my desire
was to construct a work. However Choreolab is a process-based
workshop so I continued my exploration in response to feedback
and mentoring sessions with Deirdre Tarrant and Jenny Stevenson.
I appreciated the time I had to work alone with the dancers,
though I now see the importance of receiving feedback and
initiating discussion with my peers and artists who I know
and trust.
Choreolab culminated in an informal showing which allowed
me, Jeremy Nelson, workshop participants and Footnote to
present any work to the Wellington community. Unfortunately
time is always limited in these situations so any response
to the work shown took place at The Bristol later that night.
It has to be said that Choreolab 05 was a particularly supportive
and social environment with one of the highlights being
the magical boat trip out on the 'Sweet Georgia'.
Choreolab establishes strong connections between emerging
dance artists, encourages choreographic interests and gives
a practical perspective to those artists entering the professional
dance community. It is important that these connections
and relationships are valued and sustained as this will
ensure that dance opportunities are created and that new
work continues to be made.
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