DANZ Quarterly Issue 24 - July, August, September 2011
Dear Readers
After watching the opening night of the Royal
New Zealand Ballet’s inspiring new season,
The Stravinksy Selection, I am marvelling
at the wealth and talent the generation of
‘elderly’ artists created or performed in the
season.
To begin with, the choreography for Petrouchka was recreated by Russell Kerr
after the original Fokine. Russell’s career
dates back to the 1950s, with a travel grant to study and dance in London. He worked with ballet masters associated with the original Diaghilev ballets which gave equal weight to dance, design and music. Russell brought these insights back to New Zealand, working with the
RNZB from 1959 onwards and has produced almost 700 works for the
company, spanning 50 years.
The set designs by Raymond Boyce likewise reveal a remarkable
lineage. His collaboration with Russell also spans half a century, and
he has designed more than 250 productions for the company, since
1959. Like Russell, he had an early association with the Russian
artistic legacy, learning the method of scene painting from Diaghilev’s
designer.
Sir Jon Trimmer has a 53 year association with the RNZB, and remains
a mainstay for the company. His career has been one of remarkable
adaptability, moving from celebrated title roles to character roles over
the last two decades.
The genius behind the current RNZB season, Igor Stravinsky, lived for
89 years, visiting New Zealand in 1961, when he was 79. One of the
most influential composers and pianists of last century, his legacy with
dance has few peers, and his ballet collaborations were revolutionary,
changing forever the artistic association of dance and music.
These luminaries teach us a great deal about the human spirit and its
potency. Age is not a slowly dimming light. Rather, it is an affirmation
that life is - and should be - fully lived and creative.
Keep dancing.
Francesca Horsley, Editor
Cover photo: RISE commissioned as a STAB show by BATS Thetare.
Dance: Rosie Christie
Choreographer: Sacha Copland
DANZ Quarterly Issue 24 - July, August, September 2011
Contents
Driving from the Front of the Bus – Java Dance Company
By Francesca Horsley
Te Matatini – The Evolution of Kapa Haka
Girl with a Movie Camera – a Multi-Media Dance/Theatre Piece and Live Video Performance
By Jennifer Nikolai and Aya Nakamura
Q Theatre Taking a Bow
By Elana Kluner
Kiwi Classic – New Moves in Ballroom and Social Dance
By Tania Kopytko
Connect – Wellington Dance Festival
By Jenny Stevenson
Bop Till You Drop – Dance for the Elderly
By Linda Lim
MJ Does Burlesque
By Jenny Stevenson
Danish Bonnets and Boots
By Kate Grace
DANZ Resource – Maximise your Marketing
By Sahra Grinham
Dancing is Good for You! – physiotherapist Tejo van Schie
By Francesca Horsley
Reviews
Dance in Auckland Fringe Festival, reviewed by Raewyn Whyte
Francedance in the Auckland Festival, reviewed by Francesca Horsley
Dunedin Fringe Festival, reviewed by Hahna Briggs
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